| BASEMENT NEWSPAPER |
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| Alasdair Duncan |
| Alasdair Duncan makes art and thinks, talks and writes about art among other things. He lives in London. Alasdair's current practice catalysed from a show titled 'The Futurians' (Dee Ferris, Roger Hiorns, Ben Judd, Ben Ravenscroft) that he curated at the Taro Nasu Gallery (Tokyo) in 2004. 'The Futurians' was a show pursuing the Historical Avant Gardist theme that art with an emphatic abstraction of form or material can act as a stand in for possibilities in the world that don't yet exist. Alasdair is interested in the ways that art relates to the possibility and the conditions of possibility of change (political and social) in the world. |
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| Georgia Korossi |
| Georgia Korossi is a curator and writer based in London and Athens. She is a PhD researcher of Cultural History and Visual Arts at Goldsmiths College and contributor to KAPUT art magazine and lux.org.uk. Since 2006 she has been a coordinator to the BFI Screenonline and Mediatheque projects that draw public access gateways to the BFI National Archive. |
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| Nicholas Vaughan |
| Nicholas Vaughan is an artist. |
| Nicholas Vaughan is an artist who likes making watercolours and drawings. He also likes to make puppets and write about vivid things. These maybe reflections on women and relationships or travel experiences, or sometimes just general ruminations on the solitary state of life. He has written a short prose piece called 'The Crematorium Chimney Sweep'. A puppet play called 'Life is no bed of Tulips'. And a travel piece called 'Marbella'. He is currently working on a short story based on the book Gulliver's Travels by Jonathon Swift. He is also working on a play version of 'The Crematorium Chimney Sweep' with the writer Scott Mclachlan. |
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